No, this is not really a guest blog. A few weeks ago my sister-in-law M asked if I'd be willing to be a guest blogger over at her site, and I said sure, and then I set to work on what I thought might be some good bloggage. But I never heard back from her on the matter, so I'll just cycle it into my own blog. And here it goes.
M and I are sisters by law, having married two brothers, and our surname is about the only thing we have in common. She likes a nice night out -- I like a comfortable evening in. She prefers heels -- I like comfy shoes. She likes kids -- I love my own two, but generally only tolerate all others. She's a vegetarian, and I am most assuredly not. We overlap in university degrees slightly -- me in the visual arts, her in the performing arts. We also probably get a few of the same design magazines, but I can image that she dog-ears the pages with classy white kitchens while I tend to tear out the pages featuring groovy eclectic art.
We are as different as black and white. But I love black and white. It has a clean boldness that highlights the strengths of each, without compromise. This week, I will focus on the visual beauty of B&W.
So, to start things off right, first of all, we'll have some homework. Today we're going to calibrate our monitors for accurate B&W display, so that during the rest of the week's blogging, we'll all be on the same page.
First of all, make certain that your monitor has been on for at least 15 minutes and make certain you know how to adjust the settings on your monitor (normally little knobs at the bottom). The room you're doing this in should have subdued light.
Ready? Have a look at this image (you might want to click on it to see it full-sized):

On the far left, you should be able to differentiate between the bands of grey and the band of black. Yes? On the right, same thing with the white. Around the whole thing is a border of 50% Grey. Even if you still see all of this, we're going to optimize.
In your monitor's Contrast setting, crank that puppy up as far as you can until the whites become a glaring, blown-out mess. Now, start turning it down, one notch/step at a time until the next to last white band becomes a very light shade of grey (97% to be exact) and separate from the white. When you can tell there are multiple bands, stop.
Now, turn your attention to the black/left and turn the Brightness down until the dark greys become abysmal black pits. One step at a time, start increasing the brightness until the 2nd band becomes distinct from the black. Now stop. (Obviously, if your monitor is now very dark, and your whites are looking sad and grey, keep pushing the Brightness up until your whites are white again.) Tweak the Contrast again to make certain all is well.
You should now have a perfectly calibrated gradient scale with black, white, and 32 shades of grey in between.
Now, have a look at this image.
You should see black, white, and two boxes of pure, neutral grey. If the grey boxes have any tint to them, identify what that colour is, go into your monitor's colour-settings and turn that colour down.
This is fairly simplified. If you're smarter than the average web surfer (which I'm certain you are since you're here at my blog), you might want to tweak the gamma value, but I don't care to go into that today, so we'll be happy with what we have.
Tomorrow: art.



